ASMAC Tech Session
Exploring Source-Connect & Source-Nexus
with Source Elements founders
Rebekah Wilson + Robert Marshall
Special guests:
Composer, Orchestrator, Conductor Oscar Senén
Musician, Composer Sage Marshall
Exploring the possibilities of real-time collaboration with high-quality audio using Source Elements tools for arrangers, composers, session musicians, recording engineers, and music producers.
Working with orchestras in other parts of the world? The harpist, drummer, or violinist down the street? or co-writers on your next hit song? Join us for an in-depth look at some options available to you with a Source Elements software demonstration and discussion.
ASMAC members receive an extended trial and discount on the Source Nexus Suite.
First in a series of ASMAC Tech Sessions.
Wednesday, 17 June 2026
1pm PDT (UTC-07)
Check the time in your local time zone.
Bios
Rebekah Wilson
Rebekah is the technical co-founder and CEO who co-created the entire suite of Source Elements software. With a degree in music composition and a lifetime of love for technology, Rebekah has focused her career as a composer, electronic music researcher and software developer, with a particular focus on media technology. With her dual capacities in both technical and business operations she is instrumental in building Source Elements into a global company, a connected network of tens of thousands of media professionals who rely on their software to complete their projects.
In 2018, Rebekah returned to university to study Networked Music Performance where she merged two passions: music and network technology. Also teaching on the topic at the Royal Conservatory of the Hague, she aims to be part of the future where increasingly sophisticated internet and music technologies emerge. With technological advances in rich audio and video applications, being distant from each other is no longer a barrier when it comes to performing together.
Robert Marshall
Robert Marshall is the innovations co-founder who holds degrees in electrical engineering and music composition. Using his skills as a musician, engineer, and producer, he is the visionary behind the idea of leveraging Internet connectivity to make post-production faster and more productive. He is a crucial force behind the solutions that have become synonymous with Source Elements such as Remote Transport Sync and Auto-Restore & Replace.
While having one hand on the mixing desk he helped lead the industry away from ISDN and onto the internet—with Source Elements as the gateway. With more than a decade working as a sound designer/mixer on national & international radio and TV spots, he provides services in broadcast capacities for various new outlets including NPR and runs ADR sessions for film and episodic work. This extensive, ongoing hands-on experience helps Robert have a full understanding of what the industry needs. Robert’s focus on core functionality and customer relationships have been key to Source Elements’ continued development as an industry-leader.
Oscar Senén
Oscar Senén is a Composer and Orchestrator specializing in music for Films, TV and Videogames Games with over 15 years of experience in the music industry.
He is a Summa Cum Laude graduate in Film and Video Game Scoring from Berklee College of Music (Boston, MA), where he studied on a Full Scholarship awarded by the college.
Oscar's credits span more than 120 projects, including blockbuster films such as Dune: Part Two, James Bond 007: No Time To Die, Lego Batman, Terminator: Genisys or Kung Fu Panda 4. His work in video games includes titles such as Asgard's Wrath I & II, Remnant: From The Ashes, Remnant 2, FIFA19 or Assassin's Creed: Unity - Dead Kings, contributing to eight different AAA as of 2025.
Oscar has conducted some of the world's finest orchestras at iconic recording studios, including Abbey Road(London, UK), the Royal Scottish National Orchestra (Glasgow, Scotland), Synchron Stage (Vienna, Austria), the Budapest Symphony Orchestra (Hungary), and the Sofia Symphony Orchestra (Bulgaria). In Spain, he has collaborated with the Málaga Symphony Orchestra, the Málaga Philharmonic Orchestra, and the Orquesta de Córdoba.

